145 bars of 3/4 -- not four -- at 180 BPM, 2:54 of playing on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-38, 105 and 109, and 8 more places -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 4, 11, 58, 71, 80, 82 and 11 more.
4 more fills are written out on the fills page.
145 bars across 23 sections: 92 keep time, 17 are fills, 9 are stops and 11 are silent. The longest unbroken stretch of time is bars 59-67.
180 BPM, in 3/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
85 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 59 out of 100; the rest of the number is everything around it.
145 bars, about 2:54 at the written tempo. The course breaks it into 58 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 4, 11, 58, 71, 80, 82 and 11 more.