136 bars of 4/4 at 152 BPM, about 3:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-15 and 18-20, and 5 more places -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 34 times: bars 1, 5, 9, 21, 37, 39 and 28 more.
11 more fills are written out on the fills page.
136 bars across 7 sections: 42 keep time, 34 are fills and 53 are stops. The longest unbroken stretch of time is bars 67-73.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
136 bars, about 3:35 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 34 times: bars 1, 5, 9, 21, 37, 39 and 28 more.