115 bars of 4/4 at 128 BPM, about 3:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 15 more places -- 63.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
3 fills to learn, played 3 times: bars 59, 61 and 101.
115 bars across 7 sections: 94 keep time, 3 are fills, 11 are stops and 1 is silent. The longest unbroken stretch of time is bars 3-28.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
115 bars, about 3:36 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 59, 61 and 101.