204 bars of 4/4 at 140 BPM, about 5:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 30 more places -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 64, 92, 118, 122, 128, 156 and 5 more.
1 more fill is written out on the fills page.
204 bars across 19 sections: 149 keep time, 11 are fills, 15 are stops and 2 are silent. The longest unbroken stretch of time is bars 13-45.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
204 bars, about 5:50 at the written tempo. The course breaks it into 60 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 64, 92, 118, 122, 128, 156 and 5 more.