152 bars of 4/4 at 130 BPM, about 4:41 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 72-73, 76-77 and 80-81, and 3 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 8 times: bars 16, 49, 112, 113, 114, 115 and 2 more.
152 bars across 4 sections: 78 keep time, 9 are fills, 62 are stops and 2 are silent. The longest unbroken stretch of time is bars 137-152.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
152 bars, about 4:41 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 23 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 16, 49, 112, 113, 114, 115 and 2 more.