152 bars of 4/4 at a walking 100 BPM, 6:05 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 20-21, 24-31 and 51-59, and 2 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
152 bars across 15 sections: 128 keep time and 4 are silent. The longest unbroken stretch of time is bars 105-126.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
152 bars, about 6:05 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.