170 bars of 4/4 at 130 BPM, about 5:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 53-64 and 106-113 -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 49 times: bars 3, 4, 5, 6, 7, 11 and 43 more.
8 more fills are written out on the fills page.
170 bars across 17 sections: 89 keep time, 51 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 129-141.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 47 out of 100; the rest of the number is everything around it.
170 bars, about 5:17 at the written tempo. The course breaks it into 51 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 49 times: bars 3, 4, 5, 6, 7, 11 and 43 more.