170 bars of 4/4 at 132 BPM, about 5:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 78-93 and 127-150 -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 32 times: bars 4, 8, 12, 16, 20, 23 and 26 more.
8 more fills are written out on the fills page.
170 bars across 15 sections: 118 keep time, 32 are fills, 4 are stops and 2 are silent. The longest unbroken stretch of time is bars 128-150.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
170 bars, about 5:11 at the written tempo. The course breaks it into 52 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 32 times: bars 4, 8, 12, 16, 20, 23 and 26 more.