124 bars of 4/4 at a walking 103 BPM, 4:48 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 47, 60-63 and 69-71, and 2 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 54 and 123.
124 bars across 15 sections: 79 keep time, 3 are fills, 15 are stops and 16 are silent. The longest unbroken stretch of time is bars 60-79.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
124 bars, about 4:48 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 54 and 123.