107 bars of 4/4 at 130 BPM, about 3:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 16 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 4, 24, 54, 76, 80, 88 and 3 more.
1 more fill is written out on the fills page.
107 bars across 10 sections: 80 keep time, 9 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 5-23.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
107 bars, about 3:18 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 31 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 4, 24, 54, 76, 80, 88 and 3 more.