112 bars of 4/4 at 146 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-47, 49-51 and 53-55, and 5 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 3 times: bars 72, 76 and 96.
112 bars across 9 sections: 74 keep time, 3 are fills, 8 are stops and 19 are silent. The longest unbroken stretch of time is bars 46-67.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
112 bars, about 3:44 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 3 times: bars 72, 76 and 96.