147 bars of 4/4 at 110 BPM, about 5:10 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 23-25, 27-28 and 31-36, and 6 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 46 times: bars 22, 26, 29, 30, 37, 38 and 40 more.
13 more fills are written out on the fills page.
147 bars across 17 sections: 60 keep time, 46 are fills, 2 are stops and 27 are silent. The longest unbroken stretch of time is bars 83-89.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
147 bars, about 5:10 at the written tempo. The course breaks it into 56 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 46 times: bars 22, 26, 29, 30, 37, 38 and 40 more.