110 bars of 4/4 at 117 BPM, about 3:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 43-49 and 75-77 -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 12 times: bars 14, 26, 38, 40, 42, 50 and 6 more.
7 more fills are written out on the fills page.
110 bars across 18 sections: 67 keep time, 12 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 103-110.
117 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 45 out of 100; the rest of the number is everything around it.
110 bars, about 3:46 at the written tempo. The course breaks it into 60 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 12 times: bars 14, 26, 38, 40, 42, 50 and 6 more.