127 bars of 4/4 at a walking 85 BPM, 5:46 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17, and 6 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 24, 48, 100 and 124.
127 bars across 12 sections: 103 keep time, 4 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 67-82.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
127 bars, about 5:46 at the written tempo. The course breaks it into 45 exercises over 19 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 24, 48, 100 and 124.