128 bars of 3/4 -- not four -- at 90 BPM, 4:16 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 50-51, 53-56 and 58, and 10 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 14 times: bars 57, 61, 66, 67, 68, 69 and 8 more.
1 more fill is written out on the fills page.
128 bars across 6 sections: 106 keep time, 14 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 2-46.
90 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
128 bars, about 4:16 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 57, 61, 66, 67, 68, 69 and 8 more.