48 bars of 5/4 -- not four -- at 180 BPM, 1:12 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 26-27, and 1 more place -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 15 times: bars 1, 2, 3, 4, 9, 10 and 9 more.
1 more fill is written out on the fills page.
59 bars across 7 sections: 31 keep time, 15 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 36-48.
180 BPM, in 5/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
48 bars, about 1:12 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 15 times: bars 1, 2, 3, 4, 9, 10 and 9 more.