170 bars of 4/4 at 120 BPM, about 5:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-4, 7 and 19-22, and 9 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 32 times: bars 5, 29, 30, 34, 42, 50 and 26 more.
12 more fills are written out on the fills page.
170 bars across 16 sections: 109 keep time, 32 are fills and 4 are stops. The longest unbroken stretch of time is bars 154-167.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
170 bars, about 5:39 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 32 times: bars 5, 29, 30, 34, 42, 50 and 26 more.