101 bars at 180 BPM -- fast, and 2:15 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 13-15 and 100 -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 34 times: bars 10, 12, 16, 20, 24, 28 and 28 more.
14 more fills are written out on the fills page.
101 bars across 15 sections: 47 keep time, 34 are fills, 7 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-7.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
101 bars, about 2:15 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 34 times: bars 10, 12, 16, 20, 24, 28 and 28 more.