117 bars of 4/4 at 137 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14-20, 22 and 24, and 5 more places -- 32.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 5, 37, 69, 101, 105, 110 and 3 more.
3 more fills are written out on the fills page.
117 bars across 10 sections: 64 keep time, 9 are fills, 22 are stops and 11 are silent. The longest unbroken stretch of time is bars 14-29.
137 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
117 bars, about 3:25 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 5, 37, 69, 101, 105, 110 and 3 more.