133 bars of 4/4 at a walking 98 BPM, 5:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 29-31, and 10 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 35 times: bars 8, 12, 28, 32, 34, 36 and 29 more.
8 more fills are written out on the fills page.
133 bars across 10 sections: 64 keep time, 35 are fills, 23 are stops and 3 are silent. The longest unbroken stretch of time is bars 14-27.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
133 bars, about 5:26 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 35 times: bars 8, 12, 28, 32, 34, 36 and 29 more.