49 bars, 2:39, at 74 BPM: slow enough that every note is exposed. Crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 23, 26-27 and 29-31, and 3 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 16, 20, 28, 32, 36, 39 and 7 more.
3 more fills are written out on the fills page.
49 bars across 4 sections: 28 keep time, 13 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-12.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 56 out of 100; the rest of the number is everything around it.
49 bars, about 2:39 at the written tempo. The course breaks it into 18 exercises over 6 sittings, about 24 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 16, 20, 28, 32, 36, 39 and 7 more.