140 bars at 166 BPM -- fast, and 3:17 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-7, 15-16 and 18-21, and 8 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 31 times: bars 1, 17, 23, 30, 33, 41 and 25 more.
12 more fills are written out on the fills page.
140 bars across 11 sections: 93 keep time, 31 are fills and 4 are stops. The longest unbroken stretch of time is bars 43-61.
166 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
140 bars, about 3:17 at the written tempo. The course breaks it into 51 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 31 times: bars 1, 17, 23, 30, 33, 41 and 25 more.