64 bars of 4/4 at a walking 79 BPM, 3:14 of playing, on crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-27, 29-31 and 33-35, and 3 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 1 time: bar 52.
64 bars across 7 sections: 51 keep time, 1 is a fill and 4 are silent. The longest unbroken stretch of time is bars 29-42.
79 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
64 bars, about 3:14 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 23 minutes each.
crash, ride, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 52.