164 bars of 4/4 at 129 BPM, about 5:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-40, 56-63 and 96-110 -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 19 times: bars 17, 41, 51, 55, 71, 79 and 13 more.
8 more fills are written out on the fills page.
164 bars across 15 sections: 102 keep time, 19 are fills, 25 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-16.
129 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
164 bars, about 5:05 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 19 times: bars 17, 41, 51, 55, 71, 79 and 13 more.