118 bars of 4/4 at 130 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 61-67, 69-75 and 77-83 -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 16 times: bars 8, 16, 20, 29, 30, 32 and 10 more.
10 more fills are written out on the fills page.
118 bars across 11 sections: 73 keep time, 16 are fills, 17 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-7.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
118 bars, about 3:44 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 16 times: bars 8, 16, 20, 29, 30, 32 and 10 more.