119 bars of 6/4 -- not four -- at 120 BPM, 5:54 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 80-82, 84-86 and 88-90, and 5 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 13 times: bars 54, 55, 56, 57, 58, 59 and 7 more.
179 bars across 9 sections: 88 keep time, 13 are fills and 69 are silent. The longest unbroken stretch of time is bars 28-53.
120 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
27 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
119 bars, about 5:54 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 13 times: bars 54, 55, 56, 57, 58, 59 and 7 more.