The beat the song is built on is a 2-bar phrase, played through bars 80-82, 84-86 and 88-90, and 5 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, ride, hi-hat, snare, floor tom and hi-hat foot, counted in sixteenth notes. On its own it scores 15 out of 100 -- straightforward -- and the thing that decides that is how often it moves around the kit.
The whole song is 27 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 90 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 90, 105 and 120 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, ride, hi-hat, snare, floor tom and hi-hat foot, in 6/4 at 120 BPM, counted in sixteenth notes. It is written out above, and it covers 20% of the bars the kit plays.
Bars 80-82, 84-86, 88-90 and 92-94, and 4 more places. The time is kept on the ride to start with, and it changes 4 times over the song.
15 out of 100 on its own -- straightforward. The song as a whole is 27 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.