270 bars of 4/4 at a walking 80 BPM, 12:44 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 111-113, 115-117 and 119-121, and 9 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
270 bars across 17 sections: 235 keep time, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 15-29.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
270 bars, about 12:44 at the written tempo. The course breaks it into 37 exercises over 14 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.