115 bars at 175 BPM -- fast, and 2:38 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25, 31 and 37, and 6 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 33 times: bars 16, 17, 18, 20, 22, 24 and 27 more.
14 more fills are written out on the fills page.
115 bars across 13 sections: 49 keep time, 33 are fills, 3 are stops and 20 are silent. The longest unbroken stretch of time is bars 31-35.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
115 bars, about 2:38 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 33 times: bars 16, 17, 18, 20, 22, 24 and 27 more.