129 bars at 200 BPM -- fast, and 2:35 of it without a break -- on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-17 and 34-41 -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 43, 44, 61 and 125.
129 bars across 9 sections: 47 keep time, 4 are fills, 15 are stops and 54 are silent. The longest unbroken stretch of time is bars 9-17.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
129 bars, about 2:35 at the written tempo. The course breaks it into 22 exercises over 8 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 43, 44, 61 and 125.