87 bars of 4/4 at 141 BPM, about 2:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 57-59 and 61-63 -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 33 times: bars 4, 5, 6, 11, 14, 16 and 27 more.
11 more fills are written out on the fills page.
89 bars across 9 sections: 37 keep time, 33 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 58-63.
141 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
87 bars, about 2:26 at the written tempo. The course breaks it into 43 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 33 times: bars 4, 5, 6, 11, 14, 16 and 27 more.