126 bars of 4/4 at a walking 91 BPM, 5:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 7 and 10, and 5 more places -- 8.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 32 times: bars 1, 5, 8, 12, 13, 24 and 26 more.
21 more fills are written out on the fills page.
126 bars across 18 sections: 58 keep time, 34 are fills, 18 are stops and 2 are silent. The longest unbroken stretch of time is bars 28-33.
91 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
126 bars, about 5:32 at the written tempo. The course breaks it into 69 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 32 times: bars 1, 5, 8, 12, 13, 24 and 26 more.