121 bars of 6/4 -- not four -- at 116 BPM, 6:16 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19, 21-27 and 43-45, and 2 more places -- 22.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 24 times: bars 20, 28, 29, 30, 31, 32 and 18 more.
3 more fills are written out on the fills page.
121 bars across 10 sections: 42 keep time, 24 are fills and 44 are silent. The longest unbroken stretch of time is bars 53-61.
116 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
121 bars, about 6:16 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 24 times: bars 20, 28, 29, 30, 31, 32 and 18 more.