167 bars of 4/4 at a walking 88 BPM, 7:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-35, 154 and 156-158, and 1 more place -- 5.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 36 times: bars 8, 12, 16, 24, 33, 64 and 30 more.
23 more fills are written out on the fills page.
167 bars across 18 sections: 80 keep time, 36 are fills, 20 are stops and 11 are silent. The longest unbroken stretch of time is bars 146-152.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
167 bars, about 7:05 at the written tempo. The course breaks it into 79 exercises over 27 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 36 times: bars 8, 12, 16, 24, 33, 64 and 30 more.