143 bars of 4/4 at a walking 103 BPM, 5:15 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 119, 121 and 123, and 4 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 21 times: bars 4, 10, 16, 18, 26, 33 and 15 more.
10 more fills are written out on the fills page.
143 bars across 17 sections: 84 keep time, 21 are fills, 17 are stops and 4 are silent. The longest unbroken stretch of time is bars 47-55.
103 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
143 bars, about 5:15 at the written tempo. The course breaks it into 67 exercises over 21 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 21 times: bars 4, 10, 16, 18, 26, 33 and 15 more.