89 bars at 180 BPM -- fast, and 1:59 of it without a break -- on hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 26 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
89 bars across 7 sections: 80 keep time, 1 is a fill and 1 is silent. The longest unbroken stretch of time is bars 64-88.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
89 bars, about 1:59 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 25 minutes each.
hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.