128 bars of 4/4 at 144 BPM, about 3:33 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16, 20 and 24, and 27 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 9 times: bars 12, 68, 84, 92, 96, 112 and 3 more.
4 more fills are written out on the fills page.
128 bars across 8 sections: 105 keep time, 9 are fills and 4 are silent. The longest unbroken stretch of time is bars 33-52.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
128 bars, about 3:33 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 12, 68, 84, 92, 96, 112 and 3 more.