97 bars of 4/4 at 111 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 23, 25-31 and 33-35, and 7 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 48, 49, 64, 65, 76, 77 and 4 more.
1 more fill is written out on the fills page.
97 bars across 13 sections: 71 keep time, 10 are fills and 9 are silent. The longest unbroken stretch of time is bars 22-36.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 48 out of 100; the rest of the number is everything around it.
97 bars, about 3:30 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 48, 49, 64, 65, 76, 77 and 4 more.