433 bars at 180 BPM -- fast, and 8:39 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 286, 289 and 292, and 19 more places -- 5.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
38 fills to learn, played 129 times: bars 4, 5, 23, 24, 55, 56 and 123 more.
34 more fills are written out on the fills page.
433 bars across 22 sections: 129 keep time, 129 are fills, 138 are stops and 14 are silent. The longest unbroken stretch of time is bars 7-21.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
433 bars, about 8:39 at the written tempo. The course breaks it into 118 exercises over 30 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
38 fills to learn, played 129 times: bars 4, 5, 23, 24, 55, 56 and 123 more.