146 bars of 4/4 at 120 BPM, about 4:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-28, 30-32 and 42-56, and 4 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 19 times: bars 9, 11, 13, 15, 17, 25 and 13 more.
10 more fills are written out on the fills page.
146 bars across 16 sections: 107 keep time, 19 are fills and 3 are stops. The longest unbroken stretch of time is bars 98-112.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
146 bars, about 4:52 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 19 times: bars 9, 11, 13, 15, 17, 25 and 13 more.