210 bars at 160 BPM -- fast, and 5:15 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-8, 50-64 and 98-112, and 2 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 27 times: bars 9, 17, 21, 24, 25, 33 and 21 more.
14 more fills are written out on the fills page.
210 bars across 16 sections: 159 keep time, 27 are fills and 6 are stops. The longest unbroken stretch of time is bars 51-64.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
210 bars, about 5:15 at the written tempo. The course breaks it into 64 exercises over 17 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 27 times: bars 9, 17, 21, 24, 25, 33 and 21 more.