135 bars of 4/4 at a walking 94 BPM, 5:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-16, 18 and 21-22, and 8 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 10, 11, 13, 14, 19, 20 and 24 more.
13 more fills are written out on the fills page.
135 bars across 11 sections: 84 keep time, 30 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 104-118.
94 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
135 bars, about 5:25 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 10, 11, 13, 14, 19, 20 and 24 more.