147 bars of 4/4 at 130 BPM, about 4:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-29, 52-53 and 55-57, and 3 more places -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 20 times: bars 30, 34, 49, 50, 51, 58 and 14 more.
9 more fills are written out on the fills page.
147 bars across 19 sections: 90 keep time, 21 are fills, 10 are stops and 12 are silent. The longest unbroken stretch of time is bars 1-21.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
147 bars, about 4:29 at the written tempo. The course breaks it into 61 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 30, 34, 49, 50, 51, 58 and 14 more.