173 bars of 6/4 -- not four -- at 280 BPM, 2:42 of playing on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-16, 18-25 and 32-38, and 1 more place -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 14 times: bars 9, 17, 39, 130, 132, 133 and 8 more.
173 bars across 11 sections: 66 keep time, 14 are fills, 47 are stops and 40 are silent. The longest unbroken stretch of time is bars 108-127.
280 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
173 bars, about 2:42 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 14 times: bars 9, 17, 39, 130, 132, 133 and 8 more.