135 bars of 4/4 at 138 BPM, about 3:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-24 and 52-66 -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 9, 29, 33, 51, 71, 75 and 7 more.
3 more fills are written out on the fills page.
135 bars across 12 sections: 48 keep time, 13 are fills, 58 are stops and 9 are silent. The longest unbroken stretch of time is bars 12-17.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
135 bars, about 3:55 at the written tempo. The course breaks it into 31 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 9, 29, 33, 51, 71, 75 and 7 more.