91 bars of 4/4 at a walking 93 BPM, 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-13, 15-17 and 19-21, and 6 more places -- 32.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 26 times: bars 10, 14, 18, 26, 28, 31 and 20 more.
9 more fills are written out on the fills page.
91 bars across 12 sections: 49 keep time, 26 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 2-9.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
91 bars, about 3:51 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 10, 14, 18, 26, 28, 31 and 20 more.