105 bars of 4/4 at 113 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-15, 17-19 and 21-22, and 2 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 5, 6, 7, 8, 16, 20 and 11 more.
3 more fills are written out on the fills page.
105 bars across 10 sections: 76 keep time, 17 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 73-80.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
105 bars, about 3:44 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 5, 6, 7, 8, 16, 20 and 11 more.