82 bars of 4/4 at a walking 105 BPM, 3:07 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-8, 17-20 and 29-32, and 2 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 4, 12, 16, 28, 36, 40 and 9 more.
2 more fills are written out on the fills page.
82 bars across 13 sections: 55 keep time and 15 are fills. The longest unbroken stretch of time is bars 22-27.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
82 bars, about 3:07 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 4, 12, 16, 28, 36, 40 and 9 more.