121 bars at 170 BPM -- fast, and 2:51 of it without a break -- on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 4 and 6-8, and 17 more places -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 3 times: bars 5, 69 and 85.
121 bars across 13 sections: 104 keep time, 3 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 98-120.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
121 bars, about 2:51 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 3 times: bars 5, 69 and 85.