200 bars at 170 BPM -- fast, and 4:41 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-14, 18-22 and 58-62, and 5 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 42 times: bars 1, 2, 3, 4, 5, 6 and 36 more.
14 more fills are written out on the fills page.
200 bars across 16 sections: 125 keep time, 42 are fills and 11 are stops. The longest unbroken stretch of time is bars 41-48.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
200 bars, about 4:41 at the written tempo. The course breaks it into 71 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 42 times: bars 1, 2, 3, 4, 5, 6 and 36 more.